Rating: 5/5
Review:
A fine album from Paul Simon
I'm pleased to say that this is a very good album; it's
varied, unexpected in places and contains some very good tracks.
Paul Simon has always been a very fine musician who has
developed and experimented throughout his career. He once, for example, set himself the
challenge of using every note of the chromatic scale in a single song: the
result was Still Crazy After All These Years, which is a magnificently
beautiful song and a true classic. Not
all his challenges have been met so successfully and I'm not sure that there's
anything of quite that stature here, but this is a fine album nonetheless.
Simon incorporates all sorts of styles including rap, jazz
and many others. Several tracks are very
rhythm-driven (like Wristband and The Werewolf), but beautiful melodies are still
in evidence in the title track and Proof Of Love, which I think is a truly
lovely song. The album is very varied in
instrumentation, feel and style and I'm delighted to see Simon still stretching
the boundaries in his seventies – but this is still recognisably a Paul Simon
album and collection of really good songs. His voice is still in good shape and he's a real master at putting a song across.
Simon's lyrics have always been outstandingly good, and they
are as sharp as ever here. There is a
good deal of rage against social injustice as well as profound expressions of personal
emotion. Take this, from the Werewolf,
for example:
"The fact is most obits are mixed reviews
Life is a lottery, a lot of people lose
And the winners, the grinners with money-coloured eyes
Eat all the nuggets, then they order extra fries
Life is a lottery, a lot of people lose
And the winners, the grinners with money-coloured eyes
Eat all the nuggets, then they order extra fries
…
Ignorance and arrogance, a national debate
Put the fight in Vegas, that's a billion dollar gate
Revenues, pay per views, it should be pretty healthy
The usual deductions, and it all goes to the wealthy…"
Put the fight in Vegas, that's a billion dollar gate
Revenues, pay per views, it should be pretty healthy
The usual deductions, and it all goes to the wealthy…"
Strong stuff – and it's good to see that real social bite
still remains in at least one veteran songwriter.
I've loved Paul Simon's music since Kathy's Song was among
the first songs I learned to play and sing, almost half a century ago. He hasn't always hit the spot with every
album, but this is a really good one and I like it a lot. I don't know whether everyone will agree – I
have always thought Hearts and Bones was quite brilliant, but it wasn't one of
Simon's biggest hit albums, for example – but I think there's real quality
here, and I would recommend it warmly.
[By the way, the Deluxe Version contains "bonus
material" which is actually well worth having, including a fine live
rendition of Duncan and the excellent title track from Dion's (also good) recent album New York
Is My Home, which Dion and Simon sang together.
It's not always worth getting the Deluxe Version of albums, but I'd
recommend this one.]
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